Conversation with Andrew Yang

Conversation with Andrew Yang April 4, 2019 3:30-4:30pm
CVPA Star Store campus, 715 Purchase Street New Bedford, MA 02740

Artist Andrew Yang works across the visual arts, the sciences, and history to explore the naturalcultural. Yang’s work has been exhibited from Oklahoma to Yokohama, including commissions for the 14th Istanbul Biennial (2015), Museum of Contemporary Art Chicago, (2016) and the Spencer Museum of Art (2019). Yang’s writing and research can be found in Art Journal, Leonardo, Biological Theory, and Antennae. He is an Associate Professor at the School of the Art Institute of Chicago and a research associate at the Field Museum of Natural History. This conversation is part of the 2018-2020 initiative Local Ecologies, a multimodal series of programs organized between UMass Boston, UMass Dartmouth, and UMass Lowell.

Andrew Yang, A Beach (for Carl Sagan), 2016. Photo by Nathan Keay (c) MCA Chicago.
partial view of IO-OX: A Dialogue Concerning Two World Systems, 2015. Photograph by Ugur Eren.

Roundtable on Community Engagement

Roundtable on Community Engagement March 27, 2019, noon-1:30pm
CVPA Star Store campus, 715 Purchase Street New Bedford, MA 02740

Join artists Matthew Mazzotta, whose design work is focused on art, activism, and urbanism, and Dan Borelli, whose large-scale public art focuses on ecology and communities, to discuss various approaches and ethics for community-engaged cultural production. Matthew Mazzotta works at the intersection of art, activism, and urbanism, focusing on the power of the built environment to shape our relationships and experiences. His community-specific public projects integrate new forms of civic participation and reveal how spaces have the potential to become distinct sites for intimate, radical, and meaningful exchanges.
His Storefront Theater was recently awarded “Architecture Project of the Year” by Dezeen Awards in London. Dan Borelli is an artist, curator, and producer whose practice intersects identity, ecology, and publics. His recent projects include We The Publics with Emmanuel Pratt, recently featured as part of HubWeek, Boston, and the Ashland Nyanza Project, currently featured in the CVPA Campus Gallery exhibition Chasing Color. This event is part of the 2018-2020 initiative Local Ecologies, a multimodal series of programs organized between UMass Boston, UMass Dartmouth, and Umass Lowell, and is also associated with the exhibition Chasing Color, on view at CVPA Campus gallery from February 21-April 2, 2019

Matthew Mazzotta, THE STOREFRONT THEATER Lyons, Nebraska, 2016

Conversation with Jane Marsching

Conversation with Jane Marsching March 21, 2019. 3:30-4:30pm
College of Visual and Performing Arts, CVPA 306
University of Massachusetts, Dartmouth/285 Old Westport Rd., Dartmouth MA 02747

Interdisciplinary artist Jane D. Marsching explores our past, present and future human impact on the environment through collaborative research-based practices. Her projects have been sited in museums and galleries as well as weather observatories, public parks, city streets, radio waves, and the internet. She has worked with scientists, educators, kite builders, meteorologists, architects, and musicians, among others. She is a co-founder and member of Platform2: Art and Activism (2009-2012), an experimental forum about creative practices at the intersection of social issues.This conversation is part of the 2018-2020 initiative Local Ecologies, a multimodal series of programs focused on place-based practice in Eastern Massachusetts organized between UMass Boston, UMass Dartmouth, and UMass Lowell.


Jane Marsching, Carbon Farm version 2.0 at Boston University, spring 2018

Social Justice and Fashion


A Panel Discussion March 6, 2019, noon-1:30pm
CVPA Star Store campus, 715 Purchase Street New Bedford, MA 02740

This panel will consider the relationship between fashion production/design and issues in environmental and social justice. Featuring: Dr. Nikolay Anguelov, author of The Dirty Side of the Garment Industry: Fast Fashion and its Negative Impact on Environment and Society (CRC Press, 2015); Dan Borelli, artist featured in Chasing Color (on view in CVPA Campus gallery Feb 21-April 1, 2019), and Ranger Andrew Schnetzer, a National Park Service (NPS) Servicewide Uniform Committee member and former technical adviser to the NPS uniform program manager. Moderated by Petra Slinkard, Nancy B. Putnam Curator of Fashion and Textiles, Peabody Essex Museum. This program is associated with the exhibition Chasing Color, and is supported by the CVPA Dean’s office.

Dan Borelli, The Ashland-Nyanza Project: Illuminating Futures, 2016.

Chasing Color Exhibition and Programs

Dan Borelli: Chasing Color Exhibition
February 21-April 1, 2019
Opening: Thursday, Feb 21 from 4 to 6:30pm; Artist talk at 5pm

CVPA Campus Gallery, College of Visual and Performing Arts
University of Massachusetts, Dartmouth/285 Old Westport Rd., Dartmouth MA 02747
This exhibition documents artist Dan Borelli’s 8-year-long exploration of the Nyanza Superfund site in Ashland, Massachusetts. Named for a textile dye plant that operated for sixty years, Nyanza is one of the first ten sites addressed by the United States Comprehensive Environmental Response, Compensation, and Liability Act to clean sites contaminated by hazardous waste. Through a sustained socially-engaged art process, Borelli has produced videos, exhibitions, events, temporary public art forms, and a permanent public park. Together these works confront an ongoing and difficult community relationship to

Ashland’s toxic land and cancer cluster. The project was supported by grants from Art Place America and the National Endowment for the Arts Our Town Creative Placemaking program. Borelli is a native of Ashland and current Framingham Massachusetts resident. Dan holds a Master in Design Studies from Harvard University, Graduate School of Design with a concentration in Art, Design, and the Public Domain. He also holds a BFA in Printmaking from Rhode Island School of Design and was selected to attend their Rome Program for a full academic year. Since 2000, he has worked at the Harvard University Graduate School of Design as the Director of Exhibitions and has managed well over a hundred projects at various scales featuring global leaders in the fields of architecture, art, landscape, and urban planning and design. For more information about Borelli and his work, see http://groundedvisionaries.org/gsd_news/dan-borelli/.


Dan Borelli, The Ashland-Nyanza Project: Illuminating Futures, 2016.

Artifacts of the Future: Artists’ Interventions in the Environment October 12-13, 2017 (Professors Pamela Karimi & Rebecca Uchill)

Registration: https://www.eventbrite.com/e/artifacts-of-the-future-artists-interventions-in-the-environment-tickets-37094881790

Native New Bedford artist, Mark Dion artworks are being exhibited at the Institute of Contemporary Art in Boston.  The exhibition is entitled Mark Dion: Misadventures of a 21st-Century Naturalist  and will open Oct. 4, 2017 and continue through Jan. 1, 2018.

In conjunction with Mark Dion’s survey exhibition will be an symposium entitled, Artifacts of the Future, and will be begin at the New Bedford Whaling Museum on Thursday, Oct 12, 2017 | 6–8 PM and continue at the Institute of Contemporary Art on Friday, Oct/ 13, 2017.

Artifacts of the Future (NBWM)
Thursday, Oct 12, 2017 | 6–8 PM

Keynote Session: Inspired by the City that Lit the World: Mark Dion Reflects on His Creative Process

  • 6:00–6:30 PM: Pamela Karimi (Moderator & Lecturer) | The Artist and the American Post-Industrial Landscape
  • 6:30–7:30 PM: Mark Dion |  Space, Nature, and Materiality in New Bedford and Beyond
  • 7:30–8 PM: Caroline A. Jones | Commentary and Q&A

LOCATION: New Bedford Whaling Museum, Cook Memorial Theater
18 Johnny Cake Hill, New Bedford, MA 02740. Registration required. Registrants please arrive 15 minutes early to guarantee your seat. This event is presented by UMass Dartmouth.

Friday, October 13, 2017 | 9 AM–3 PM (ICA)

  • 9:00–9:30 AM: Coffee Reception
  • 9:30–9:45 AM: Welcoming Remarks
  • 9:45–10:15 AM: Mark Dion and Ruth Erickson in Conversation
  • 10:15–11:45 AM: Morning Session
    A. Laurie Palmer | In the Aura of a Hole: Exploring Sites of Material Extraction
    Cecilia Vicuña | Quipu Mapocho/Quipu Womb: Two Works in the Land and in the Museum, Addressing the Ancient Stories of Water and
    Survival in Chile and the Mediterranean
    Lize Mogel | Walking the Watershed
    Moderator: Sarah Kanouse
  • 12:00–1:30 PM: Lunch Break
  • 1:30–2:30 PM: Afternoon Session
    Juan William Chávez | Working as a Hive in the Urban Ecosystem
    Lenka Clayton | …circle through New York
    Moderator: Kirsten Swenson
  • 2:30–3:00 PM: Rebecca Uchill | Concluding Reflections

 LOCATION: Institute of Contemporary Art/Boston, Barbara Lee Family Foundation Theater. 25 Harbor Shore Drive, Boston, MA

The symposium is co-organized by the Institute of Contemporary Art/Boston; Northeastern University; University of Massachusetts Boston; University of Massachusetts Dartmouth; and University of Massachusetts Lowell. It begins at the New Bedford Whaling Museum, in Mark Dion’s hometown, and continues the next day at the ICA/Boston.

Symposium: Making Her Mark: Women Artists (1880-1900)

What: “Making Her Mark: The Women Artists of the Providence Art Club, 1880”

When: noon to 4 p.m. weekdays and 2 to 4 p.m. weekends through March 30

Where: Providence Art Club, 11 Thomas St., Providence

Information: (401) 331-1114, providenceartclub.org

What: Emergence of women as artists and art educators

When: 8:30 a.m. to 5 p.m. Saturday

Where: First Baptist Church in America, 75 North Main St., Providence

Admission: Free, but space is limited. Contact Providence Art Club to reserve a spot.

 

http://www.providencejournal.com/entertainmentlife/20170322/providence-art-club-honors-its-female-founders-in-making-her-mark-exhibit