Making Her Mark – Art History Capstone Exhibition

Making Her Mark is an exhibition highlighting late nineteenth-century paintings, illustrations, books, and sculptures by Rhode Island women artists and their contributions to the modernity narrative. The exhibition focuses on a group of women artists who were instrumental in the establishment of one of the first American art clubs, The Providence Art Club, that accepted women as equal members, as active board members and as artistic colleagues.  Over the course of the later half of nineteenth century women artists, such as Rosa Peckham, Emily McGary Selinger, Helen Watson Phelps, Emma Swan, Charlotte Gilman, Mary C. Wheeler, and Sophia Pitman, along with other female artists, worked, traveled, and exhibited alongside their male contemporaries.  Many of these women pursued opportunities to show their artworks in salons and galleries in the United States and abroad, including Paris and London. These remarkable women, artists, suffragettes, art instructors, authors, and community leaders help form and contribute to the regional and national artistic and cultural conversation. The exhibition celebrates these women artists and recognizes their struggles as well as their accomplishments to the American history.

The exhibition is part of the capstone experience where students work in teams and apply their academic and professional knowledge to a real world experience. This is the 6th year that Dr. Anna Dempsey and Allison J. Cywin, art history professors, have directed a group of upperclassmen to execute a professional museum quality exhibition and publication. This student-run exhibition explores the definition of modernity and focuses on feminine artistic communities in Providence.  This exhibition is made possible through the generous support of the Providence Art Club.

The exhibition runs from April 12 thru April 29, 2017 at the Main Campus Art Gallery located in the College of Visual & Performing Arts, University of Massachusetts Dartmouth. Address is 285 Old Westport Road, adjacent to parking lot 7, Dartmouth, Massachusetts. We invite the public to attend the opening reception and gallery talk on Wednesday, April 12 from 4pm -6pm. The public exhibition hours are Monday – Saturday 10 a.m. -4 p.m. For more information, please contact, Dr. Anna Dempsey, adempsey@umassd.edu and Allison J. Cywin, acywin@umassd.edu. You can also call the gallery at 508-999-8550.

Public Panel

Dr. Pamela Karimi takes part in a PUBLIC PANEL: Material Speculation, Between ISIS and Islamophobia at Trinity Square Video.

Saturday, February 13, 2016 @ 2:00 – 5:00pm

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On the occasion of Morehshin Allahyari’s solo exhibition: Material Speculation at Trinity Square Video, we are pleased to invite you to a public panel with the artist, in discussion with art historian and critic Pamela Karimi, and researcher and writer Dina Georgis. The panel will discuss their research in relationship to Allahyari’s work, Material Speculation: ISIS, a digital fabrication and 3D printing project focused on the reconstruction of selected artifacts that were destroyed by ISIS in 2015.

Situated in the political, social and cultural web of relations that Material Speculation proposes—from petropolitics, war, conflict materials, and terrorism—the panel explicitly challenges potentially polarizing and Islamophobic responses to the work, while probing its aesthetic, radical and complicated insights. The goal is to offer artistic contexts and theoretical readings of the exhibition while tying it to contemporary events of war, terrorism and the material/political worlds it implicates. More Information: http://www.trinitysquarevideo.com/panel-material-speculation/

 

 

Dr. Thomas Stubblefield Awarded the NEPCA Rollins Book Prize

Dr. Thomas Stubblefield book entitled, 9/11 and Visual Culture of Disaster received the Rollins Book Prize from the Northeast Popular/American Culture Association. The Rollins Book Prize  is named for Peter C. Rollins, a renowned scholar in the fields of American and popular culture and a longtime NEPCA benefactor. Dr. Thomas Stubblefield is this year’s, 2015, recipient, congratulations!

 

Dr. Pamela Karimi reviews Boston Museum of Fine Arts photography exhibition entitled, She Who Tells a Story: Women Photographers from Iran and the Arab World

karimi_001Dr. Pamela Karimi reviews Boston Museum of Fine Arts photography exhibition entitled, She Who Tells a Story: Women Photographers from Iran and the Arab World.

The review, Weapons of the Resilient: A Postscript to “She Who Tells a Story: Women Photographers from Iran and the Arab World” by Dr. Pamela Karimi is published by Jadaliyya an independent ezine produced by ASI (Arab Studies Institute), the umbrella organization that produces Arab Studies Journal, Tadween Publishing, FAMA, and Quilting Point.

To read the article, http://www.jadaliyya.com/pages/contributors/180940

2012 Publications

Dr. Hallie Meredith – Objects in Motion: The Circulation of Religion and Sacred Objects in the Late Antique and Byzantine World. Oxford: Archaeopress, BAR International Series 2247 and scholarly article, Christianizing Constantine: Eusebius’ Vita Constantini as a Late Antique Social Canvas, in Objects in Motion: The Circulation of Religion and Sacred Objects in the Late Antique and Byzantine World, ed. H. Meredith, 7-24. Oxford: Archaeopress, BAR International Series 2247.

Dr. Pamela Karimi completed a publication, Edited volume: Images of the Child and Childhood in Modern Muslim Contexts, Special issue of Comparative Studies of South Asia, Africa, and the Middle East. With Christiane Gruber. August 2012. Vol. 32, no, 2 (Duke University Press).

Dr. Memory Holloway completed publications, Making Time: Picasso and Suite 347. New York: Peter Lang Publishing, 2006 and Picasso in the Collection of the National Gallery of Victoria. Melbourne: National Gallery of Victoria and book chapters,”Home Away from Home: Visual Narratives of the Portu,ouese Court in Brazil.” In Narrating the Portuguese Diaspora, Francisco Fagundes and Irene Maria Blayer, ed. London: Peter Lang, 2010 and “Compulsive Attraction: The Later Works on Paper.” Picasso: Mosqueteros, ed. John Richardson. New York: Gagosian Gallery, 2009, 169-239.

Dr. Anna Dempsey completed a publication of a book chapter entitled, “150 Years Later:  Remembering Africa in the Museum” in Africa and its Diasporas: Memory, Public History & Representations of the Past. Edited by Audra A. Diptee and David V. Trotman.    Africa World Press/The Red Sea Press.  In Press.  Publication Date:  Spring, 2012; “Women’s Stories and Public Space in Iranian New Wave Film,” in Storytelling in World Cinemas, Volume II, edited by Linda Khatib.  Columbia University Press.  In Press. Publication date: Nov. 2012; and “Building Consensus:  Painting and the Enlightenment Tradition in Post-Wall Germany,” in Tracing Cultural Divides:  Specters of the Berlin Wall,”  edited by Katharina Gerstenberger and Jana Braziel. Palgrave Press. 2011.